Category: Book Corner

By day, Roberta Lake is a computer software and hardware specialist with an uncanny knack for understanding the inner workings of the technology she works on. By night, she is a CIA Brain Trust operative, putting her abilities in mind communication, infiltration, and control to use on people instead of gadgets.

In other words, Roberta Lake is a psychic assassin.

Under the watchful eye of the Brain Trust, as well as her handlers, the Three Wise Men, Roberta takes out her assigned targets from afar with the help of her alter ego, Bobbi Waters—the true killer of the two—and only after she determines whether the target truly deserves to die.

This arrangement spins out of control when the Brain Trust suspects Bobbi is fracturing from Roberta, becoming a separate persona. Roberta is deemed a threat to the organization, and this time, it’s her life that’s being targeted. What’s worse—they want to know her secrets first, and she’d rather die by her own hand than be the blueprint for an unstoppable force of psychic killers let loose on the world.

I downloaded this book from NetGalley so in essence, it was gifted to me for my review. (More about NetGalley soon).

First off, the book cover and the blurb are what sucked me in – the eye really captured my attention. And I like the title, though after reading the book, I think “Hidden in Sight” would have been a more appropriate title because for me, this story was anything BUT plain.

It’s an intriguing premise and though I personally don’t believe in psychics and the paranormal, I do believe it’s possible on some level, if not probable. So I’m coming at this read from that opinion.

I was confused right off the bat. The author does a really good job of pushing me right into the middle of Roberta’s story but it took me several chapters before I started to get a feel for what was happening. For example, I thought Roberta and Bobbi were two separate people for several chapters. And I couldn’t figure out the relationship between Roberta and her boss Magi and why were they jumping right into sex? Though an interesting read, I felt cheated in some respects because I wanted to see more character build up before the action.

Though I certainly understand why the author chose to open the story this way, and it was interesting, if not terribly confusing, I feel like if an author is going to open up her story this way, then allow me a moment to catch my breath and catch up to the premise. I needed to know more about Roberta, how she discovered her abilities, who these characters were and why they were important to the story. Though I’m not a fan of back story, a little back story goes a long way.

This story felt more like part four of a series. And I can definitely tell that the author is working that angle with this premise, and I think it’s a good idea, but to me, this was like walking into a movie theater late and jumping right into a story that A. I have no idea what it’s about, B. where it’s going, and C. why I should care enough to stick around and figure it out.

I wanted to know more about how Roberta discovered her talents. I wanted to see her struggles and her emotional journey that led to her decision to terminate bad people. I wanted to know more about her family history and why this ability is prevalent in her family. I wanted to know how she was recruited and by whom. I wanted to experience her first kill and the creation of Bobbi because after the author reveals who Bobbi is, I totally bought the REASON Roberta created her. I wanted to experience Roberta’s moral dilemmas and struggles. I really wanted to see more relationship building between her and Magi – I’m suddenly thrown into the middle of a sex scene and a few chapters later Magi is professing love. Whoa guys, slow down! And I wanted to know why Roberta felt so uneasy about Jenny. Other than that character being annoying, why did her gut tell her there was something off about her co-worker? What actions caused Roberta to be suspicious about Jenny? Simply being annoying doesn’t quite justify why Roberta felt the way she did about Jenny.

I felt like a runaway train trying to make out details from a blurred landscape – it was exhausting and frustrating.

And perhaps that’s the author’s intent, to spoon feed backstory to the reader as the series progresses, I can appreciate that approach, but I needed a bit more backstory IN THIS STORY because it took me a while to play catch up.

This premise also reminds me a lot of the TV show, “Alias” with Jennifer Garner. The character is recruited from college for her raw talent and then cultivated and groomed to be an effective tool for an agency’s agenda.  Then, her and her handler develop feelings for one another which complicates their working relationship. That premise has always fascinated me and being a fan of “Alias” I really liked the strong female character and her ability to kick ass virtually all the time.

Which brings me to another point of contention: Roberta is seemingly invincible.

I’m all about strong, powerful women. But Roberta doesn’t seem to have any weaknesses. Her ability to compartmentalize and turn her mind off/on is certainly impressive, but short of killing her physical body, what weaknesses does she really have? We’re lucky that Roberta has a strong moral compass and she’s capable of compassion and love as evidenced by her interactions with her family, but surely there is a physical limitation to her supernatural powers? If so, this story didn’t reveal it. And though her ability to control a target’s mind, and other entities, (no spoilers), it’s almost too much power, too easy, in some ways. I want to see a weakness that is not readily apparent and not many people know about but when someone stumbles across it, it absolutely cripples Roberta and she has to come up with creative ways to handle it.

At this point, Roberta is more machine than human. Which may be what the author is going for, but in order for me to care about her, the possibility of losing her will only enrich the story, in my opinion.

Overall, the story is well written, fast-paced and interesting. I think the author has the potential of taking Roberta on some incredible journeys, I would propose slowing down and allowing the reader to enjoy the experience.

*All views expressed on this site are my own and do not represent the opinions of any entity whatsoever with which I have been, am now, or will be affiliated.

How did Fidel Castro fool the CIA for a generation? Why did Neville Chamberlain think he could trust Adolf Hitler? Why are campus sexual assaults on the rise? Do television sitcoms teach us something about the way we relate to each other that isn’t true?

While tackling these questions, Malcolm Gladwell was not solely writing a book for the page. He was also producing for the ear. In the audiobook version of Talking to Strangers, you’ll hear the voices of people he interviewed–scientists, criminologists, military psychologists. Court transcripts are brought to life with re-enactments. You actually hear the contentious arrest of Sandra Bland by the side of the road in Texas. As Gladwell revisits the deceptions of Bernie Madoff, the trial of Amanda Knox, and the suicide of Sylvia Plath, you hear directly from many of the players in these real-life tragedies. There’s even a theme song – Janelle Monae’s “Hell You Talmbout.”

Something is very wrong, Gladwell argues, with the tools and strategies we use to make sense of people we don’t know. And because we don’t know how to talk to strangers, we are inviting conflict and misunderstanding in ways that have a profound effect on our lives and our world.

Yes, it’s true, I rated this book three stars.

It wasn’t due to lack of interesting content, all of the examples that Mr. Gladwell presents are interesting, his points are well taken, they are also well articulated, when he gets around to making them. And the thought that the “supposedly” brightest minds in the world are incapable of detecting bullshit is more than a little alarming. (As evidenced by his examples).

I gave this book three stars because of the way this book is laid out. Mr. Gladwell gives us example, after examples, to prove points that he doesn’t quite allow the reader to digest before moving on to give us yet another example or another aspect of communicating so that by the time I reached the halfway mark, I was ready to just scream, “JUST GET TO THE POINT ALREADY!”

I suppose, after reading the above blurb, I was expecting a mind-blowing, profound solution to talking to strangers – a how-to guide to communicating and understanding a stranger’s non-verbal language. I was expecting some tips and tricks on HOW to talk to strangers, but Mr. Gladwell instead shows us, through historical events, that it’s nearly impossible to truly know a stranger’s motives.

With all due respect, Mr. Gladwell, duh.

In essence, this book is about reminding us not to jump to conclusions when speaking to total strangers. We don’t really know the motivation behind someone we just met. We may think they are honest, they may appear sincere in their body language and facial expressions, but Mr. Gladwell’s point is: it’s virtually impossible to truly know people.

This quote perfectly sums up this book: The right way to talk to strangers is with caution and humility.

Not exactly earth shattering advice.

However, let’s be fair, there are a lot of television shows, movies and online sites that tout the ability to teach someone to tell if someone is lying or not. And if the person’s motivations match their non-verbal language, then we will likely correctly interpret whether someone is telling the truth, but if someone truly wanted to fool us, it wouldn’t be hard to do.

As Mr. Gladwell states, we all default to believing people are inherently good. We want to believe that people are honest and truthful because no one wants to believe that people are capable of lying or generally being assholes. And now, with the aid of the media, we are constantly reminded to be careful, don’t trust anyone, people have ulterior motives and no one really cares about anyone but themselves, (it’s all about ME), that now I think the pendulum has swung in the opposite direction and most people default to thinking the WORST of people right off the bat. Which Mr. Gladwell shows us is also a very dangerous road to travel.

So, what now? How do we successfully communicate with strangers? I don’t have the answer to that question and I don’t feel like Mr. Gladwell answered that question either, he simply reminds us that in order to effectively communicate with people, one must be patient, kind and understanding because people are the byproduct of their life choices and personal history and if we understand that crucial factor, then we are more likely to understand a person’s motivations and temperament.

If you’re looking for a how-to book on how to talk to strangers, this is not it. But if you want a glimpse into the human psyche and a thought-provoking read, then enjoy.

A secret duo of romance authors team up under the pseudonym Max Monroe to bring you a sexy, laugh-out-loud new series. Are you ready to meet the Billionaire Bad Boys?

Blind dates? Online dating profiles? Been there, done that.

Georgia Cummings has zero luck with dating, and the era of the internet is not her friend.

No matter how fast she runs, how many corners she turns, she can’t find her way out of this weird, alternate universe where men think dick pics are a replacement for small talk and getting to know a girl. One more crotch selfie and she might write men off for good…

But why can’t she stop fantasizing about him?

Kline Brooks is the quintessential billionaire bad boy—dark, styled, short hair, muscles for days, and a panty-dropping smile.

Except—he isn’t.

As his employee, he won’t touch her with a ten foot pole.

But she won’t touch him either.

Too bad their hormones missed the memo.

Disclaimer:
If you’re the type of woman who prefers crotch selfies to small talk, this book isn’t for you.

If you enjoy random men you’ve never met filling up your inbox with dirty words and porn—for reasons focused more towards diddling your donut than laughing at the absurdity—this book isn’t for you.

If you HATE laughing, this book isn’t for you.

If you want your male leads to grunt, thrust like jack rabbits, and have one-track minds that prefer a nice pair of tits to brains every hour of every day for the rest of forever, well, then, this book still isn’t for you.

But.

If you enjoy a good swoon, a hearty laugh, witty banter, and some hot as f*@% f*@%ing, then consider Georgia Cummings your Girl Friday and Kline Brooks your next irresistible book boyfriend

So ………………..

The disclaimer annoys me.

Actually, the whole blurb annoys me and does not, at all, represent the book. I think I would have liked the story better if it had mirrored the blurb.

I mean, I guess I know what they’re going for here – if you like a more serious story, then you may not appreciate the humor in this story.

And there is humor. I personally respond to stories of relationships that have a solid sense of humor interlaced throughout, but I sort of feel like this story DOES contain lots of grunts, growls and other choice sex terms throughout.

In fact, almost TOO much.

I felt like the story spent the majority of time on the sex part of their relationship. And that DOES NOT do it for me.

Let me back up a minute …

This story takes place between a high-ranking person within the company and the owner/boss of the company. Nothing new here. It’s a common fantasy of many women to have a sexual relationship with a powerful man, someone who can make or break your career. There is an element of danger in the relationship, makes it exciting on some level.

But the authors are trying to sell me on the idea that these two, very hot, very attractive, very smart individuals have worked closely together for two years before they really notice each other?

I mean, I get noticing each other, maybe a fantasy or two, but the transition between these two work colleagues to so much more happens at warp speed and that ruins the story for me. It’s like, “Excuse me.” To “Oh HI! Let’s have sex!” I like some build up, some teasing, some friction before going right into the nasty.

Not sexy, at least to me.

And the male character is just too perfect. He’s a gentleman. He’s super hot. He’s super rich. He’s super respectful of her feelings and taking her V card.

I mean, that’s great, too bad more men AREN’T like this, but it doesn’t make for a very good story.

It’s sort of boring.

I wanted to see more intellectual interaction between the two. We get it, THEY ARE ATTRACTED TO EACH OTHER AND CAN’T KEEP THEIR HANDS OFF EACH OTHER, but to me, there is so much more to a rich relationship than just sex.

I felt like the characters had potential, I just feel like the authors didn’t take the time to fully flesh them out. Instead, it was all about the sex. Which they wrote in detail, A LOT.

Ho hum.

There are only so many ways one can write about the physical side of a relationship before it becomes … boring.

And the event that temporarily broke them up…..

Come on. Really??? It was so WEAK!

These are two intelligent professionals who both act like children over an event that literally would have taken one phone call and five minutes to explain. Instead, the authors put their characters through some torturous days before clearing the air. It was just trivial and felt contrived. If these two lovebirds, who clearly love each other, have professed their love for one another and crave to be together allow one little text message to tear them apart, are they really meant to be together? What sort of reaction would they have if something really big happened?

I nearly put this story down several times. But then the authors would throw in something funny, or cute, and I would think, “Okay. Here we go. It’s getting better.”

No. Not really.

It’s like the authors know the formula for a cute little romance, threw two characters together, came up with a haphazard back story, a frail, and quite frankly, lame, “deal breaker” into the story and called it a book.

There. Done. Meant our deadline. Whew.

There are two more books in this series so far. I already know who the story in book two will be about based on the epilogue of this book and I already don’t care much for the characters. So I’ll pass, thanks.

I mean, if you haven’t been reading romance for very long, then you’ll likely enjoy this. But if you’re like me, who has been reading romance for years and expects more conflict, more depth, to the story, I wouldn’t recommend it.

It’s all fluff and very little substance.