Preptober

Preptober: Finding a Story Idea

I spent nearly all day yesterday Preptober(ing). I learned a lot, I was inspired, I bought a NaNoWriMo t-shirt and I ended the day more confused and frustrated than when I started.

This outlining thing is for the birds, ya’ll. I feel like giving up before I even start and just go back to pantsing it.

However, I don’t want to get to 25,000 words in and completely dry up, like I usually do when I attempt NaNoWriMo. So. I will force myself to slow down and start putting one foot in front of the other and waddle my way through this mess.

Beginning with a story idea.

I found an excellent site that lists a few hundred story ideas. I read through them all and these are the ones that caught my attention:

1.A hair stylist overhears something she shouldn’t while cutting hair.
2.Three friends go on a trip to a foreign country together, only for them each to get lost.
3.A character is sold the “Best Year of Their Life” by an illustrious company, with the caveat that they must die afterward.
4.An adopted child starts to receive tens of letters from people who claim they’re her parents.
5.An adopted child starts to receive tens of letters from people who claim they’re her parents.
6.In the midst of a war, the women of a local town abandon their neighborhood only a week before their husbands and sons return.
7.A dictator forces an illustrious fashion designer to design the new military uniforms for the war.
8.In a series of weekly sessions, a man recalls his experience of Vietnam to overcome his PTSD. – only it’s a woman and she is forced to recall a crime in which she was a major player
9.A character discovers they have the ability to visit the past and future, but at the risk that they’ll lose something valuable.
10.In the midst of a plague-ridden Venice, an inspector begins a series of unethical experiments to find a cure.
11.Three strangers win a getaway vacation together – one is a psycho path and plots to kill the other two for unknown grand prize
12.A diver uncovers government secrets buried at the bottom of the ocean.
13.A woman is called on a mission to save her lover.
14.A character travels back in time, where they realize they are more important than modern day.
15.A character develops the power to alter their personality, but cannot control it.
16.A matriarch deals with a rising male leader threatening her power. – flip it – patriarch threatened by a rising female.
17.A character’s home is split in two by a sudden Earthquake. They must work to find a way to the other side, where something valuable is.
18.Three friends go on a trip to a foreign country together, only for them each to get lost. Series?
19.A closed exit road sends a character on a six hour detour road trip.
20.A character participates in a march for a cause they believe in when violence breaks out against the people.
21.A prostitute meets with her family for the first time in 10 years.
22.A psychiatrist befriends one of their patients only to realize it was a fatal mistake.

All of them appeal to me in one way or another, but there are a few that really spark my imagination. But believe it or not, the idea that has been percolating in my head for several months now is not listed here. I may, or may not, massage that idea into fruition, I just haven’t decided yet. I need to stick to an idea though because I need to start developing my characters.

Also, something else to consider when you’re picking your idea and thinking about when you’re shaping the story in your head:

  1. Start with the unexpected.
  2. Start with action
  3. Start by appealing to the reader’s curiosity – make the reader want to read more to find the answer.
  4. Start with an understanding of your fictional world – if you are confident about your fictional world, it will make it more believable and interesting to your read.
  5. Start with intensity – “draw us in like moths to the flame, but don’t let the bonfire rage so fierce we can’t get close.”
  6. Build momentum – “The first cardinal rule of opening lines is that they should possess most of the individual craft elements that make up the story as a whole. An opening line should have a distinctive voice, a point of view, a rudimentary plot and some hint of characterization. By the end of the first paragraph, we should also know the setting and conflict, unless there is a particular reason to withhold this information.”
  7. Resist the urge to start too early “You might be tempted to begin your narrative before the action actually starts, such as when a character wakes up to what will eventually be a challenging or dramatic day. But unless you’re rewriting Sleeping Beauty, waking up is rarely challenging or dramatic. Far better to begin at the first moment of large-scale conflict.”
  8. Remember that small hooks catch more fish than big ones – “Many writers are taught that the more unusual or extreme their opening line, the more likely they are to “hook” the reader. But what we’re not taught is that such large hooks also have the power to easily disappoint readers if the subsequent narrative doesn’t measure up.”
  9. Avoid getting ahead of your reader – “One of the easiest pitfalls in starting a story is to begin with an opening line that is confusing upon first reading, but that makes perfect sense once the reader learns additional information later in the story. The problem is that few readers, if confused, will ever make it that far.”
  10. Keep talk to a minimum – “If you feel compelled to begin a story with dialogue, keep in mind that you’re thrusting your readers directly into a maelstrom in which it’s easy to lose them. One possible way around this is to begin with a single line of dialogue and then to draw back and to offer additional context before proceeding with the rest of the conversation—a rare instance in which starting close up and then providing a panorama sometimes works. But long sequences of dialogue at the outset of a story usually prove difficult to follow.”
  11. Revisit the opening once you reach the end. – “Sometimes a story evolves so significantly during the writing process that an opening line, no matter how brilliant, no longer applies to the story that follows.”

Sources: How to Start a Story and Ways to Start Your Story Better

I personally like shocking my readers. Nothing too drastic, just enough to make them raise their eyebrows in slight surprise. I love starting with action because I love reading stories that begin with action. The tip that I think I have the hardest time with is starting with dialogue. I LOVE writing dialogue and I always have way too many conversations in my stories – I definitely need to work on settings. However, I’m going to write my story first, and that may be all dialogue at this point, and then go back and put in fillers later. I think trying to stop and write about the setting my characters are in will slow me down and frustrate me. I never have to worry about being one of those authors that info dump on their readers – but, leaving that information out is basically two, or more people, walking around talking each other’s heads off too much and no one is interested in reading that.

 

Video summary:

Word vomit

Analyzing elements of a good story

Ask: What If …

Challenges seem realistic

Get inspired by living your life

A. Pay attention to things that evoke your own emotions

Develop the hell out of everything

A. Character
B. Worlds

Focus on your characters

If you Google story ideas, you will find many, many, MANY more ideas that might spark your imagination. Even if the idea is enough for you to lift your eyebrow and go “Hmm”, keep track of it. You’ll be surprised what your subconscious percolates when you’re not paying attention. And if your subconscious picks a tough moment to tap you on the shoulder, (because let’s be honest – ideas always come at the WORST possible moment), do not hesitate to write it down. Before long, you will have a slew of ideas for future writing projects, and/or, who knows, maybe you can combine a few ideas for your NaoNoWriMo project.

Also – side note – look over your calendar for November and come up with a writing schedule. I don’t know why I never really thought about doing this before, I guess I always just assumed I would write 1,667 words per day. (Where did I get that number? That’s the approximate number to write every day in November to reach the 50,000 word mark). But let’s be real. There will be days I’m mentally tapped out from working a clinic, or I’m so tired I literally can not keep my eyes open so it’s unrealistic of me to expect I will uphold that 1,667 daily word mark. Not to mention, my father-in-law’s birthday, my birthday, my husband’s birthday, my oldest son’s birthday and of course, Thanksgiving is during the month of November, so my time is stretched. I am going to come up with a realistic writing plan for me. I know that weekends will be the majority of my writing time but I really want to get up an hour early before work and then immediately sit down right after work for an hour and write some more will likely work for me. I’m still coming down from an adrenaline high when I get home from work and my brain is still firing on all cylinders., that would be a good time to catch my brain before it checks out for the night. After about an hour of sitting quietly and no longer being overstimulated, it’s like coming down from a sugar high, I just CRASH and I become a bumbling idiot who can’t string two words together, let alone write them.

Anyway, start thinking about your writing schedule and keep it real.

Happy Preptober!

Preptober, Writing Mechanics

What is the Story You Want to Read?

How does this author not have more subscribers!?

I’ve never contemplated joining someone’s Patreon, but I’m not going to lie, I think I might join Abbie’s.

I found her information HUGELY helpful and I will definitely be applying her tips to my upcoming NaNoWriMo story. In fact, now I’m thinking instead of posting excerpts from my actual novel, I might post the back story of my main character – sort of like a teaser to her “official” story. I’ve been toying around with this idea for quite some time… maybe it’s time to take that idea off the shelf and dust it off.

I also really like her put a board on Pinterest idea, too. I am DEFINITELY inspired by looking at various faces, locations, etc. and I think that would definitely help me.

Good thing that’s on my NaNoWriMo Bingo card.

She just earned herself a new subscriber. I look forward to watching more of her videos.

Video Summary

Step 1 – Choose your Genre
Step 2 – Find your Theme
Step 3 – Meet your Protagnoist – and his/her baggage
A. Desire (the thing they want + think will make his/her happy)
B. Fear (the thing stopping him/her from going after his/her desire)
C. Misbelief (the thing him/her mistakenly believes is true about the world [exact opposite of your theem])
Step 4 – Describe your vibe – three (or more) words
Step 5 – Pick a location

Bonus Tips
Make an aesthetic board – example Pinterest
Make a playlist
Give it a working title

 

Video Summary

Theme – aka the truth you want to teach your reader

Step 1 – why does your story matter to you?
Step 2 – flip the truth on it’s head and make it a lie
Step 3 – find origin of that misbelief – digging into your protagonist’s past
step 4 – Look for patterns – your protagonist acting on his/her misbelief again and again
A. How does my protagonist cement his/her misbelief as a truth again and again
Step 5 – Tell the truth – crafting protagonist’s “aha moment”

Preptober

Preptober Exists – Did You Know?

Geez louise, I am truly OUT of the writing community, ya’ll.

First of all, NaNoWriMo, which stands for National Novel Writing Month, is an annual writing challenge to write 50,000 words during the month of November, for those of you that may not have been aware of it’s existence. (NaNoWriMo also offers Camp NaNoWriMo every April and July, which I haven’t done … yet. The camps are more laid back as far as “requirements.” They are just another tool to add to your writing toolbox to try and motivate you to write).

Here’s a good article to read if you’re waffling on whether or not to participate in NaNoWriMo.

Preptober is a term someone clever came up with to prep for NaNoWriMo during the month of October.

I only heard about this THIS WEEK. Again, I’ve been out of the loop.

But I was instantly intrigued, and the more I looked into it, the more excited I became to participate in it. Or at least, my version of it.

So let’s see if I can muddle through this – care to join me?

First of all, you don’t have to participate in NaNoWriMo if you don’t want to. You don’t have to do anything if you don’t want to. But let’s face it, writing is lonely. And I personally need something to motivate me to write, whether it’s this blog, or my bullet journal because I’ve had a bad day and I need to VENT and PURGE my thoughts and feelings because doing so in real life could cost me dearly. *ahem*

You could prep … any month you chose to.  You are the king, or queen, of your castle. There are no rules.

But I thought I would share what I found with you because it sounds fun and I would like to try it. I can’t promise I’ll stick to it or even finish it, but for now, it sounds fun and I’d like to try it.

After all, I thought bullet journaling sounded like a waste of time when I first heard about it but look at me almost a year later and I’m still going strong. Who knew!

First things first, what project do you want to work on?

  • Novel
  • Short story
  • Poetry
  • Non-fiction
  • Autobiographical
  • True Crime
  • Blogging
  • Other

Whatever you write, whether you’re published or not, YOU’RE A WRITER. If you can put words to paper and make them coherent and/or interesting, then you’re a writer. There are no requirements to this challenge, if you want to write and you’re up to a challenge, then you’re in.

You don’t have to be writing a novel to participate in this challenge. Maybe you want to write several blog posts. Or poems. Or your life story. Or short stories. (I did that one one year for NaNoWriMo). Whatever writing project you want to do, you can participate in NaNoWriMo. It’s not about writing a novel, it’s about writing in general. It’s about pushing yourself to do the thing you’ve always said you wanted to do. It’s about unleashing your creativity and shutting down your inner critic. Your inner critic can be released at the end of the challenge. For now, it’s just you and your imagination. This challenge gives your creativity permission to be run naked and wild through the sunflowers.

(Figuratively speaking, of course).

Secondly, when you plan your writing, do you want to use:

  • The Synopsis Outline (a one/two page summary of your story)
  • The In-Depth Outline (the detailed outline that most of us [or me] run from)
  • The Snowflake Method (you expand your story, little-by-little)
  • The Bookend Method (figure out the beginning and the end and free-write the middle)
  • By the Seat of your Pants or Pantsing (little to no planning – you just start writing)
  • The Headlight Method (plan, write to the end of the plan, see where it goes, plan, write …etc)

I’m sure there are other ways, but these are the most common.

It’s important to know how you plan on writing before you actually write. For me personally, I love the pantsing method. I love to see where my characters take me. And they often take me to surprising places. It’s fun and I thoroughly enjoy it.

However ….

I inevitably get to a point in the story where I have no idea where it’s going, how it’s going to end and does it even make sense at this point? I then get frustrated/discouraged and just chock the whole project. This is why I love short stories because I can write to the point where I get stuck and then, well, it’s a short story, it’s SUPPOSED to end, right??

I’d like to flex my writing muscles a bit this go around. I want to combine both the bookend method and the headlight methods. I want a start, a general ending, and then loosely plan the chapters, allowing my characters to take me somewhere, but at the same time, put up road signs for them to follow along the way. I could write a full outline but ZzZzZzzz .. it sounds so boring. But then again, I said I would NEVER outline, in any form, a mere ten years (minutes?) ago, so, don’t hold me to that.

Anyway, enough about me. Let’s get to the Preptober stuff.

I’ve participated quite a few times in NaNoWriMo over the years, I’ve won a few years. But I never plan ahead and by the time the proverbial gun goes off at the starting line, I’m left in the dust blinking in confusion. Where to start? So. In an attempt to avoid that feeling, I want to actually be as prepared as I can be this go around.

Hence, Preptober.

Because I’m a big child at heart, I like to make things fun. So when I found this Preptober Bingo placard, I couldn’t resist to share it with you guys.

You can find more fun cards at Ink and Times. (I put the free space on there. I figured, free space equals one day off to decompress). The site even offers ideas on what to put on your Bingo card. For example here are the ones that caught my attention from the site and from this site that I think will work for me:

  • Update NaNoWriMo Account
  • Logline and Tagline
  • Brainstorm Your Plot
  • Brainstorm Your Subplot(s)
  • Bookend Beginning
  • Bookend Ending
  • Get To Know Main Character(s)
  • Get To Know Supporting Character(s)
  • Get To Know Villain(s)
  • Get To Know Setting(s)
  • Find Location Inspiration
  • Find Character Inspiration
  • Create Inspiration Board
  • Write A Synopsis
  • Creating A Writing Playlist
  • Research Important Need To Know Facts (1)
  • Research Important Need To Know Facts (2)
  • Find Writing Groups
  • Preptober Workbook

I want to work toward some sort of reward, and I will DEFINITELY reward myself if (WHEN) I win NaNoWriMo, but for now, it feels weird to reward myself for prepping. (Yay! Good job, Karen! You prepared for your challenge!) Uh … no.

But, I thought it would be fun to make prepping for NaNoWriMo more fun. Feel free to copy this for yourself, if you like.

In my (extensive) research on Preptober, I stumbled across this fun workbook at An Aspiring Heroine. It’s free and I like it so far. (Thanks for all your hard work, Tyler!) I don’t know if I’ll follow it each day, but I allowed myself plenty of time on my Bingo card to play around with it.

Here are some more helpful resources in planning for NaNoWriMo.

Helping Writers Become Authors has a good section on how to outline for NaNoWriMo.

Jenna Moreci has some fun advice on outlining:

and

I’d like to try the whiteboard/sticky method that you see in her videos as I think visually seeing my outline might help, too. We’ll see. (SEE what I did there?)

And yet another fun way to motivate you to reach your word count, 4thewords. It’s an online game where you destroy monsters every time you reach a writing goal. Here’s a video walkthrough:

I signed up for it. Who knows if I’ll use it, but again, just a fun way to get the words down.

I plan on using the SmartEdit program as my writing software of choice. I’ve been liking it so far and best part – IT’S FREE.

If you Google Preptober and/or use the #preptober hashtag on Twitter, you will stumble across many more resources – the ideas are endless. These are the rabbit holes I tend to get sucked into (hence the reason I gave myself two research days because I loves me some research, ya’ll!) and if reading over these ideas and resources doesn’t inspire you then … I’ve got nothing else.

I’ll try and remember to update you on my Bingo card throughout the month of October. I’d like to post excerpts from my NaNoWriMo project in November, too.

Oh, and I’ll be putting a NaNoWriMo Bingo card together as well.

I think my biggest challenge won’t be the writing part – I can write/type fast and make my characters do/say all sorts of stupid things, no, I think my biggest challenge is going to have the energy to actually write. Working 40 hours, making time for family, holidays, and you know, SLEEPING, and then finding the energy and time to actually write something …. that’s going to be hard. The few years I won NaNoWriMo I wasn’t working so …. that should tell you something.

And I’m sure I won’t have time to regularly post on my blog during November, but let’s be honest, ya’ll are used to that, so that won’t be a change.

Anyway. I hope this information was helpful and that I’ve given you some places to check out and poked your writing beast.

By the way, my Wrimo username is Take2max if you want to look me up on the NaNoWriMo site and friend me. I even made a writing group on the NaNoWriMo site called Write Away if you want to chat.

Thanks for hanging out with me!

Fiction Fix

Fiction Fix Friday: Vindicated

September 25th: You toss your phone into a public garbage can.  


Victoria casually tossed her cell phone into a passing dumpster.

The resounding clatter echoed off the brick walls on either side of the alley.

She paused, turned around, and strode the few steps back to the dumpster. She carefully popped out her blue-colored contact lenses and flicked them into the garbage as well. She impatiently wiped an errant tear off her cheek left behind by the irritant lens. She wiped the reddish-brown lipstick off her lips with disgust as she continued to walk toward the street.

She stepped into the circle of light cast by a street lamp when a car came to a screeching halt in front of her.

She smirked and grabbed the handle.

“You’re late,” she spat as she slammed the door closed.

“So, it’s done?” Her driver asked.

Victoria reached up and carefully peeled off the auburn wig. She paused a moment to comb her fingers through her short, black, spiky hair.

“It’s done.” she replied, her voice emotionless.

“How do you feel?”

“Vindicated,” she barked. “Let’s get the hell out of here.”


Three hours earlier …..

“Allison! Hey Allison!”

She twisted around to see who was stupid enough to call her by her real name here, of all places.

The person swept past her and gathered a middle-aged woman with bleach-blonde hair into a hug.

“Who was that?” her fiance asked beside her.

She turned back to give Jacob a sweet smile. “I have no idea.”

“You turned around like you knew him.”

She swallowed and lifted her head confidently. “We’re at our engagement party. Don’t we pretty much know everyone?”

She wanted to smash his cocky grin with her knuckles.

Jacob laughed and slipped an arm around her waist. “Of course. Though I’ll be honest. I don’t know half of these people.”

“It’s because half of these people come from my world,” she said while trying to keep her voice from betraying how annoyed she was with him.

Just one more hour, she thought to herself.

“So. When is this thing over with? I’m anxious to get you to myself,” he said while nuzzling her neck.

“Hey now. You two will have the rest of your lives to do that. I want to dance with my future daughter-in-law!”

“Dad,” Jacob ground out between clenched teeth. “You’ve had too much to drink. The band is not even …”

The band picked that precise moment to start their next set.

Jacob’s father laughed while tugging on Victoria’s hand. “Let’s go, kiddo. Let’s show them how it’s done.”

Victoria allowed herself to be pulled out onto the dance floor while shooting Jacob an apologetic smile over her shoulder.

She didn’t exactly like Jacob’s father, but she could have hugged him at that moment for getting her out of that public display of nauseating affection.

“You know, Jacob can be a dick sometimes.”

She sputtered a laugh in surprise, though she definitely wasn’t planning on disputing him on that fact.

“But he means well. He really does have a heart of gold. And I can tell he’s hopelessly in love with you. You’re good for him, Victoria.”

She squashed the white hot thread of anger that wrapped itself around her throat and forced a smile. “Thanks Ralph. We all have our moments.”

“Not you,” he said with a smile while twirling her around the dance floor and grinning like a fool to those they passed. “You are smart, beautiful, even tempered and the perfect complement to Jacob’s hot temper.”

“Well thank you, Ralph. I appreciate you saying that.”

“Call me dad. After all, we’ll be family in one more week!”

“Okay dad, you’ve hogged my future wife long enough, my turn!” Jacob cut in and virtually yanked her out of his father’s grasp.

She slammed into Jacob’s chest and let out a puff of air. She felt a headache coming on and she suddenly wanted to be any where but there. She just wanted it to be over.

“Jacob,” she forced a soft tone of voice, “I need to sit down for a bit. Why don’t you mingle?”

He nuzzled her neck and she had to swallow a lump of disgust at the smell of his sour sweat.

“Sure. We have the rest of our lives to dance,” he chuckled before slapping her ass and strutting over to his group of friends.

She fought the urge to roll her eyes and walked over to the open bar. “Whiskey sour,” she said. She checked her watch. Twenty minutes. She turned to look over the room at the pretentious assholes she had no intention of ever seeing again. She watched Jacob punch one of his friends in the chest, hard, and laugh at his buddy’s red face. So infantile. She watched Jacob’s parents hobnob with their snobby friends. She watched a group of stuck up teenagers try and act cool. And she watched the elders gesture and turn up their noses while spewing heated opinions about current events.

“What a bunch of losers.”

She heard laughter behind her and stiffened.

“Here’s your drink, miss.” The bartender handed over her drink. “That’s sort of harsh to say about your future family, isn’t it?”

She studied him over her glass. “Where does it say I have to like the family I’m marrying into?”

He laughed again and shrugged. “I guess you have a point there. I can’t stand my girlfriend’s parents. Is your family here tonight?”

She shook her head. “No. They couldn’t make it. But they will be here for the wedding next week.” She took a large swallow of liquor, effectively swallowing the huge lie. “Excuse me,” she said. He nodded and turned to help a young girl who couldn’t have been more than seventeen.

“Open bar, right?” The girl giggled while twisting a curl around a finger.

“Uh,” the bartender looked across the room hoping for an adult to intervene.

Victoria walked off with a smirk.

She reached their table and sat down, She kicked off her high heels, pulled her purse over to her then reached inside and tugged out her phone.

I’m in hell. Shoot me.” She text. She took another large swallow of liquor and welcomed the sting as it traveled down her esophagus. She watched Jacob grab one of his buddies, put him in a headlock and give him a noogie. “Idiot,” she muttered under her breath.

Her phone dinged. Continue reading “Fiction Fix Friday: Vindicated”

Writing Mechanics

How To Solve Writing a Mystery

A bug bit me.

And I’m not mad about it.

Have you noticed I’ve been blogging more? I think I’ve blogged more this past month than I have in the past two years.

I’m blogging more because I’m exercising my writing muscles. I want to start writing more fiction and to do that, I need to write SOMETHING.

I’ve been wanting to write a mystery. I love mysteries and have been really enjoying the mysteries I’ve been reading lately. (Pst – follow me on Goodreads). But the question is, how the HECK do I write a mystery?

I mean, I can WRITE the story, but how do I structure it? How do I write a story that the reader doesn’t see through in the first ten pages?

I’ve been watching a lot of writing vlogs lately. This one from Alexa Donne caught my eye.

Video summary:

1. What is a (bonkers) reason for someone to kill someone?
A. Motivation / Reason

2. Come up with alternates / additional reasons for someone to kill your victim
A. Red herrings / Misdirects

3. Third-Act / Climax (about 70/80% into the story)

4. Brainstorm of good victims – archetypes – list characters around the archetype

5. Who is the killer?

6. Who is the main character?
A. Outsider or an Expert

7. Construct the setting

8. How to approach law enforcement involvement
A. Local cops vs. FBI
B. How does legal authority play in your story?

9. How is the body discovered?

10. How does your main character get involved / find the body?

I have to say, this is helpful information. I’m a pantser, meaning, I write by the seat of my pants. I don’t outline. However, I’m working on changing that because though I can furiously write a story and it’s thrilling to see where it takes me, I inevitably get stuck, then frustrated, then disgusted and I end up tossing my story. I want a more hybrid approach. Where I’m outlining to a point, but then giving myself the freedom to see where it takes me. I think they call it the headlight method.

“Writing by your headlights simply means that you plan the first part of your story then write it. When you get that section written, you’ll be able to see what happens next and can plot out the next few scenes or chapters.”

Learning about the art of writing motivates me!

Writing Stuff

Catching Creative Ideas

Drama is anticipation mingled with uncertainty. – William Archer

I’ve read 99 of 100 books so far this year. I’m almost to my goal. And the more I read, the more I’m convinced my own story ideas suck rocks.

Because the last few books I have read have been spectacular when it comes to surprising the reader with a twisted premise.

I’m currently working on trying to come up with a story idea that will do the same thing. These are the types of stories I like to read and I want to write a story like this.

I like to pride myself on being able to write from any prompt, but I’d like to come up with my own idea and truly write something organic.

The only problem is, I SUCK at ideas.

So what do I do? I turn to trusty YouTube and search for “coming up with plot ideas.”

And I watched this video. Mr. Herzog offers some great insights on how to generate ideas:

1. conceiving
2. developing
3. conveying

I need to train myself to be more observant and ask more questions. What if needs to be my mantra.

I’m not giving up on this writing gig, but I do need to learn patience.

Which I’m pretty sure is a trait I was NOT born with.

Writing Stuff

Dear Authors, What Do Readers Want?

Here’s another gal that has been helpful, lately. I really enjoy her videos. She’s approaching stories more from a reader’s perspective and I really think that a lot of what she talks about is super helpful to aspiring writers. It’s certainly helpful to me.

One of the most interesting comments from this video is the general agreement that not every interaction has to end in a romantic relationship, that a lot of readers just want the relationship to be platonic, to showcase more friendships. Actually, I would be down with that as I think that’s closer to real life. Though to be honest, can men and women JUST be friends? I know that’s an age-old question but truly, is it possible? Can a straight female and a straight male only be friends? Isn’t there always sexual tension? Actually, this reminds of a book I read recently that I gave five stars to: The Guy on the Right that started as friends and they ended up learning to love each other as the story went along. I LOVED that approach and I truly ended up caring about the characters largely because of this approach. (I highly recommend that book, by the way). This is a reader suggestion I can definitely support.

The comments about strong female characters also struck a chord. Just because a female is little and physically weak doesn’t make her a weak character as a whole. I tend to write about strong, sassy Amazon females who don’t take shit from anyone. (Gee, I wonder where I get my inspiration from). I also LOSE PATIENCE with female characters that consistently make stupid choices and yet “they are a strong female.” I guess you can have a strong female who is an idiot but that contradicts the strength of the character for me and I don’t care about her anymore. I want a physically and mentally strong female character who makes bad decisions and learns from them. And what is up with these “strong” females who act like total dweebs when they’re around their love interest? Gads …

I disagree with the comment about leaving clues for readers to figure out the plot twists. I mean …. okay … there should be some clues that point a certain direction but nothing turns me off more than knowing a 1/3 of the way through the book “who dun it.” I like Red Herrings, but don’t make them over the top cheesy, stupid or unrealistic. I want to be surprised, give me a twist ending.

I actually love enemies-to-lovers types of stories but I absolutely agree when the “hate” between the characters is not strong enough to warrant their interactions. I find myself often saying to myself, “you hate him for that reason? Geez, get a backbone.” I feel like these types of stories are harder to carry off because the reason they hate each other needs to be realistic enough to warrant the hate but also not so big they can’t get past it and develop feelings for each other. Challenging.

Anyway, Merphy has a lot of interesting points and I certainly learned a lot by watching her video. (Also, how CUTE IS SHE?? And I LOVE her hair!)